Classicism and the City: Chez Fairfax and Sammons

This Spring a house very dear to my heart is celebrating its 75th year anniversary as a museum.  The Merchant's House Museum is New York City's only historic residence with its interiors preserved and landmarked.  What is even more astonishing is how many people don't know about this Greek Revival beauty nestled in the East Village - luckily, those who do are passionate about it, not least of all Anne Fairfax and Richard Sammons.

Anne and Richard are ardent champions of Classical architecture, and as their 2006 monograph attests, elegant and expert practitioners as well.  It is no surprise that their own space is as delightful and unusual as any to be found in the city.  They purchased the red brick carriage house-studio in 2000 from the estate of business tycoon Armand Hammer, who had owned it ever since his university days.

One enters the house through a small entry way lacquered in a pulse-racing crimson hung with a myriad of small convex mirrors a la John Soane.

Directly onwards is the beadboard-paneled kitchen-cum-sitting room complete with a cosy Delft-tiled fireplace. 

Richard is a sailing enthusiast, and the ingenious built-in storage seems reminiscent of a ship (although apparently this passion unfolded after the kitchen was designed).

A staircase takes one up to the bedroom...

...which was made smaller by the addition of a walk-in closet. 

Richard and Anne definitely have their priorities right, as far as I'm concerned!

While the outside facade is perfectly proportioned, the double-height studio, complete with skylight, was a tricky wedge shape, a design challenge that the couple solved with elan.

 

Just as their coral silk velvet sofa inspired me to recover mine similarly, I will be taking another page out their upholstery book with these summer slipcovers of white duck piped in black...

One corner of the room was carved out for this deeply chic black bar.  The space cries out for parties, and the bar is regularly pressed into service.

 Anne in black velvet in her swell-egant bar

A mezzanine catwalk was built around the perimeter of the room and to give the room a more regular shape, an exedra was created on the facade wall opposed by this open arch leading out to the back terrace.

A snappy striped awning covers the outdoor space so that it is bone-dry all year round.  Another bar is often set up here when Anne and Richard throw larger bashes.  Today, a craftsman was using it to make a dinghy.

A bust of Diane presides over the Lutyens-influenced mantel and serves as muse to the many artists and architects who continue to gather here, and, undoubtedly, find inspiration. 

Many thanks to Anne and Richard for letting me share this glimpse.  Click here to see more courtesy of New York Social Diary.

Patriotism and Patina at the Spring Show NYC

 Potted orchids and flags at Robert Simon Fine Art

Yesterday was the final day of the first-ever Spring Show NYC.  If you missed it, don't worry - it will definitely be back next year.  While there are many antiques shows already crowding up the calendar, this one stands out as fresh, eclectic, and, importantly, as it is a vetted show, everything is exactly what it is supposed to be.

Swedish design dynamo Lars Bolander was called in to apply his flair to the show's floor, which included yellow and white zebra-cotton slip-covered banquettes and 6' tall painted obelisks parading down the aisles.

Bolander's carnelian red center table and over-scaled Gothic style armchair greeted entrants to the show.

As much inspiration could be found in the dealers' display of objects as in the objects themselves.

Collier Gwin of Foster-Gwin earned raves from New York Times' art critic Roberta Smith for his coupling of abstract art with his stock of fine Continental antiques...

as seen in this dynamic pairing of "The Houston Scene" painted by Hassel Smith in 1959 hung over 18th century Italian Neoclassical painted console tables with fanciful trompe-l'oeil porphyry tops.

Smith also gave a best in show to Yew Tree House Antiques' stand.  Kevin and Ahna apply a curatorial eye to their Folk Art treasures, both antique and contemporary.  The dramatic 10' wide woodblock print of a pilot whale on the back wall got people buzzing.  It is a recent work by British artist Julian Meredith whose work is already in major museum collections.

Alexander Cohane (whose mother Heather founded Park Avenue-acclaimed Quest magazine) brought Britannia Cool to the floor with an eclectic collection of periods and styles. 

Traditional with a twist came in the form of a birch and naugahyde Swedish modernist cabinet-on-stand in Tribeca dealer Hostler Burrows's booth...

...but for those who prefer their traditional straight up with a side of peonies, there were many wonderful options, including Gary Sergeant, above.

Exhibitor Jeff Bridgman American Antiques' proud display of antique American flags reflected the patriotic mood of the floor and the country the day after President Obama's astonishing news.

Click here for information on the Spring Show NYC 2011 and here for the Art and Antique Dealers Leaugue of America.