Young Toscanini, DVD of the 1988 film directed by Franco Zeffirelli
Introductory Note: I recently stumbled onto the prolific Amazon reviewer Herbert H. Highstone and I so enjoyed reading his exuberant, strongly opinionated critiques, I am sharing one – the first of many, I hope – here with you. In an age of puff pieces and ego massaging, Mr. Highstone is refreshingly and fearlessly frank. Bravissimo and encore!
Totally Delirious Excess – Mr. Z Does Not Disappoint US!
Five Stars
I caught a glimpse of this outrageous movie on late night TV. This film includes a delirious, dream-like staging of Verdi's Aida that goes far beyond excess in a way that will delight the loyal fans of Mr. Z! Elizabeth Taylor, wearing very heavy brown makeup, looks dazed and confused as for once in her life she is totally outstaged by the most monstrous production of Aida that you can't imagine until you see it on your own screen.
Jewels! Gold! Four-foot trumpets blaring out the famous triumphal march! Even the mad King Ludwig would be pleased by this lunatic dream of a movie. The actor playing the young Toscanini looks exactly like Dr. Zhivago, but who cares? We're on another planet and we're loving it! Verdi is totally conquered and overwhelmed by this postmodernist drama of infinitely lavish excess. Drag out your carefully hoarded bottle of absinthe and get ready for the head trip of all head trips!
09 July 2014
Visit to Sissinghurst… More London Diary
Two things I remember from childhood are the ubiquitousness of the English poet and gardener Vita Sackville-West's books and the constant discussion of the moving and dividing of hostas. Only until this year did I see the point of either. In a recent interview, Rufus Wainwright remarked, "I was so averse to anything relating to gardening because I did always find it the most boring, retired-person thing to do. That being said, we have a garden now, and I’ve never been more excited in my life than waking up and seeing a little pea come out of the earth. It’s like a Wagnerian opera..." Like Rufus, the cultivating of one's own patch of dirt has proven to be a game changer and I now affectionately look after several hostas and have even had my first family conference on their relocation.
In anticipation of visiting Sissinghurst on this trip (which merely spanned several days, not months as my blogging pace might lead you to believe), I dusted off a few of the Sackville-Wests inherited from my grandmother. The first to be tackled was The Garden (full disclosure: first on account of its slimness and charming illustrations by Broom Lynne). Published in 1946, the book is in fact a 135 page poem traversing the four seasons with the presence of war felt throughout. It is elegiac and evocative, but, on my current high carb diet of reality shows, my attention soon wandered and it was in a moment laid down for V. Sackville-West's Garden Book.
Roses climbing along the tower's walls
A view of the tower where Sackville-West wrote; she kept several small bud vases on her desk and curated their contents with different seasonal blooms
I soon found myself in the index, cheating, looking up Small Gardens:
"I should plant only the best things in it, and only the best forms of the best things, by which I mean everything should be choice and chosen. When you only have a very small area to your command you cannot afford to be otherwise selective."
I then was curious to see how she would weigh in on the much maligned gladiola (yet beloved by the aesthete Oscar Wilde). Her abridged thoughts:
"I am never quite sure what I feel about the gladioli. Handsome, yes; wonderful in color, yes; … supreme in the late summer flower shows, yes, in those great peacock-tail displays like swords dipped in all the hues of sunrise, sunset, and storm. Here I come to a full stop and start saying No. I don't like their habit of fading at the bottom before they have come out at the top… I don't like the florist-shop look of them. No, take it all around, I cannot love the big gladiolus. It touches not my heart."
View from the Tower
Sackville-West and her diplomat husband Harold Nicolson purchased Sissinghurst Castle in 1930 where they lived until her death in 1962. As her daughter-in-law Philippa Nicolson describes in the foreword, Sackville-West formed a gardening philosophy: be ruthless (don't keep anything that displeased you the previous year); let plants self-seed and ramble; an architectural plan - with hedges, paths, and walls as well as with the relation of plants to each other - is essential; and, very interesting to my mind, not all parts of a garden have to always be in bloom. An area can be spent and attention can shift to another area.
Maeve's and my calves in the White Garden
Finally the fateful day had arrived and my friend Maeve and I drove to Kent. We arrived just before 5, having underestimated traffic and overestimated a map, but it was all for the best as we practically had the grounds to ourselves bar a German here and there. One enters the property via a long dirt road enclosed by ancient hawthorn hedges. Maeve told me one can date how old a hedge is by how many other vines have grown into it.
Sissinghurst's collection of roses is one of its great lures. Maeve was on the hunt to see one plantswoman (and wife of Adam Nicolson) Sarah Raven extolled, but alas we concluded it must already have bloomed.
I admired this pink beauty which was blowsy but also formal. As you rose connoisseurs already know, THE rose nursery is David Austen which Maeve and I decided is our next outing.
I found this arrangement centering the White Garden highly accessible and copyable
Entering the famous White Garden - Vita enjoyed planning one color gardens
"When I first started gardening I began the predictable path of being seduced by color and blooms. One of my mentors, gently explained the natural evolution of gardening. She said you know you have made to the other side when you think first of leaf color and form."
I love me a self-made obelisk. I have two jasmine-vine covered ones at home.
On the outer edge of the grounds is the Herb Garden
The Barn, adjacent to which is the gift shop and cafe where one can enjoy a glass of white wine.
After the aforementioned glass of white wine and the obligatory purchase of a tea towel, Maeve and I departed, eyes and soul full.
Reading list:
Adam Nicolson, Sissinghurst: An Unfinished History A marvelously intimate and frank history of the house, including its most recent history with the National Trust
Nigel Nicolson, Portrait of a Marriage On Harold and Vita's unconventional marriage by their son. The portrait of Vita by William Strang on the paperback's cover captured my curiosity as a young girl.
Vita Sackville-West, All Passion Spent A novel written as a companion to friend and former lover Virginia Woolf's A Room of One's Own in which the heroine can finally live life on her preferred terms. Spell-binding and high readable. Get the version with Joanne Lumley's foreword.
__________, The Garden
__________, Vita Sackville-West's Garden Book
And for your next 5 minute escape break, read this amusing Amazon review of Victoria Glendinning's bio of Vita.
Please excuse the undisciplined nature of this post. Consider it an homage to Vita's preferred rambling cottage garden.
Labels:
Gardens,
Sissinghurst,
Vita Sackville-West
28 June 2014
Inside Nancy Lancaster's Yellow Room… London Diary, Part II
Like Mario and doubtless many others since, I've pored over photos of The Yellow Room so many times that it has become an old and familiar friend. Yet unfathomably I had never stepped foot into Avery Row until this trip.
The exterior of 39 Brook Street. Read Mario's book on how he first encountered John Fowler outside the shop in the 1960s… It is a charming tale of twin pocket squares out of Plautus.
Mario, Maureen and I were Colefax & Fowler's guests at Claridge's for lunch, a mere 20 paces away. I had a glass of sauvignon blanc with the lobster bisque, served in a spa-like portion and fortunately augmented by spring peas ordered for the table. I must admit the tremendous enthusiasm and anticipation my companions showed for these peas did arch an eyebrow, but after one spoonful, I am a now a devotee. There may be nothing better than fresh English peas (rolled around in butter and basil I believe and al dente). And if there is one other hot tip you must take away from this blog, it is to never miss going to the loo in a smart hotel or restaurant. Claridge's ladies' powder room is mint green and black Deco deliciousness.
C&F: the front room on the ground floor with green walls complemented by Mario's socks; Harry, an adorable young man who works there, is hiding in the window to the right
After cappuccino and an affogato for Mario who is a dessert-hound (he would alway brings cookies to our meetings. Once, after we discovered a mutual passion for peanut butter-chocolate ice cream, he brought a pint of chocolate and a jar of Skippy as the grocery store didn't have this flavor of the gods in stock), we embarked on our short journey to C&F.
The wall paper inspired by the Anteroom of Drottningholm Palace Theater in Sweden, below
For those who haven't yet made their first pilgrimage, the shop is composed of a rabbit's warren of rooms, rambling from one to another.
The back of the building looks out onto this courtyard garden. C&F's archivist Barrie McIntyre, who is an incredible repository of information and a jewel in the firm's crown, shared that Mrs. Lancaster was furious with Mr. Fowler when the walls (barely discernible now under the ivy) were painted and the two rowed for weeks.
The money shot: a close up of the glazed "egg yolk" walls
The faux marbre baseboards
At the far end of the room is a pair of double doors that open to this practical small butler's pantry complete with dumbwaiter
The bay windows are deep and conceal these closets
BEFORE: The room in 1947 (which I included in Regency Redux)
It was originally designed by Sir Jeffry Wyattville, George IV's architect, who most notably made extensive alterations to Windor Castle between 1824–1828
AFTER: In 1957, Nancy Lancaster moved into the set of rooms above the shop to economize. This photograph by James Mortimer shows it in 1982.
Reading list: John Cornforth, The Inspiration of the Past
Part III: Vita Sackville-West & Sissinghurst
Labels:
John Fowler,
Mario Buatta,
Nancy Lancaster
20 June 2014
Where the hollyhocks grow on every corner… London Diary, Part I
When Mario Buatta, Il Principe di Chintz, wondered if I might be going to London anytime soon, I pounced on the opportunity to tag along. London in June is glorious – the weather is that civilized state of sunny but not scorching; hat shopping for Asc't is in full gear (as you know, fascinators or any headgear under 4" circumference will not get you inside the royal enclosure), and the art and antiques scene is buzzing with shows and sales.
Speaking of which, Mario and I rendez-voused at the opening of the Haughtons' Art Antiques London fair. The show originated as a much-acclaimed ceramics show and it continues to be particularly strong in that category.
While a monkey caught Mario's eye on Brian Haughton's stand, I was gobsmacked by this unusual 18th century faience boar's leg tureen. German, of course.
A stand hung in the vein of John Soane
Mario thought this aristocratic gentleman resembled our mayor Bill de Blasio.
The opening night benefited Princess Eugenie's charity Children in Crisis. Throughout the show and outdoors, a somewhat bizarre note was struck by a company of actors circulating in Dickensian dress. After quaffing a glass of Champagne and Victorian lemonade, Mario and I hopped it over to Mayfair to dine with old clients and friends at George, the most informal of Mark Birley's clubs. I knew I had to order the roast chicken when I saw it was accompanied by bacon and mashed potatoes. Afterward, we window-shopped Neame across the street where Mario spied a promising pagoda-topped mirror during which an at first amusing but then disconcerting man with a passion for chickens engaged us in conversation.
The next day Mario lectured at the Olympia show, followed by a shopping expedition on the Fulham Road. He is currently working on a sprawling Palm Beach residence which he says is his last project ever. After lamenting how many of the shops are no longer there or even selling antiques, he repaired to his hotel room while I met my friend Rosie West for a drink at Bibendum. Rosie and I had serious business to discuss as I am hoping to commission a portrait of Joan Crawford from her. Of course, there was so much to catch up on, we still have yet to hammer out young Joan, shoulder-pad Joan or cowboy Joan.
Before Rosie took me to dinner at the House of Lords (such a treat), we stopped by Nicky Haslam's flat to celebrate the London launch of Maureen Footer's George Stacey and The Creation of American Chic. The book is as attractive and diverting as the authoress, above with Min Hogg (founder of the sublime World of Interiors), and I can't recommend it highly enough. (Click here to see more photos of Nicky's chic chic chic (I know it's a tired word, but it so applies here) flat.

Jane Churchill & Mario

Cecil Beaton biographer Hugo Vickers & Rosie
After a delicious dinner made all the more so by the company of Rosie's husband Lord West who has a fascinating BBC radio program Britain at Sea currently broadcasting on the Royal Navy in the twentieth century (listen here), it was time to head home to Pimlico and the Shabsters.
Part II: Behind the Scenes at Colefax and Fowler…
Reading List (so far):
Terence Stamp, Double Feature (for more on Geoffrey Bennison in a wig)
Maureen Footer, George Stacey and The Creation of American Chic
Nicky Haslam, Redeeming Features
Hugo Vickers, Cecil Beaton
Carolyn Englefield, Veranda: A Passion for Living (just saw the proofs yesterday - trust me, you need this)
and shamelessly, Mario and Moi's book
28 May 2014
New Growth
A late spring's visit to LongHouse, the residence and 16 acre East Hampton gardens of Jack Lenor Larsen
Just inside, the dunes: one sees LongHouse itself beyond the Japanese gate bell; to the right are cobalt blue glass sculptures by Dale Chihuly
Emerald, chartreuse, celadon, apple green – much of this weekend was spent admiring Spring's new growth. After a harrowing winter, these leafy spurs do as much to revitalize the spirit as they do our environs. It is because of this rejuvenation* that I return to this page.
On Saturday afternoon, Mr EEE, sister-in-law Marianne and I visited acclaimed American textile designer Jack Lenor Larsen's LongHouse Reserve. Only open to the public two afternoons a week, we made sure to to organize our day around it.
The gardens are intended to be interacted with and Mr. EEE gleefully signals our arrival
Larsen regards landscapes as an art form. And just as shrubs, groves, and perennials are artfully massed, contemporary works by 20th and 21st century artists including Yoko Ono, Willem de Kooning and Cy Twombly are thoughtfully installed to interact with the natural setting.
Contemporary sculptures of wild game bathe in Peter's Pond adjacent to the house
The apparent "undone-ness" of Larsen's gardens is reminiscent of his textiles, many of which are random by design. In the 1950s, when he first founded his firm, his work featured natural yarns handwoven in random repeats. The abstract designs were contemporary, even modernist, yet also timeless in their celebration of the art of the hand. Larsen has ever since been a beacon of the craft movement and is one of only four Americans to have had a one-man show at the Louvre.
The red garden, left, and Remoulade, 1954–1967, by Jack Lenor Larsen
Undoubtedly Mr. EEE's favorite moment was the Geodesic Dome designed by Buckminster Fuller and originally intended to be used as a residence. (To my Neoclassical horror, it is his dream to one day build and live in one. But perhaps with a columned portico?) Boulders of mesh, wire, styrofoam and concrete by artist Grace Knowlton echo the dome's shape.
A David Hockney moment
Each orifice frames a view or painting, explained a wandering guide.
Gaston Lachaise's work enclosed by Hornbeams above reminded us of Kimye's nuptials that same weekend.
Because I firmly believe in the experiential dimension of shopping, I paid a visit to InHouse, the reserve's gift shop which is stocked with handmade fashions and wares, many only available there. In a blink of an eye, I was newly enrobed in Penhaligon's peppery floral Bluebell and this smashing raffia tote.
I look forward to the darling buds of May unfurling into June blossoms here with you. Thank you for continuing to visit and come back soon.
*AND because of the wise words of GG, to whom this is dedicated, who is always faultless – except for his dislike of The Hare with Amber Eyes. Sharawadgi!
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