Pleasure of the Day: the Gil Schafer house

Would you believe that this paragon of Greek Revival architecture was built in 1999?

Architect Gil Schafer built this country house from stem to stern for himself in New York's Dutchess County after finding all the period examples were out of his price range. And yes, you may recognize some of the rooms, decorated by none other than the sizzling Miles Redd.

Click here for the full tour at The New York Times.

All photos by Phil Mansfield for The New York Times.

The Loop Chair

The original Loop Chair at Ditchley Park

I have been greatly anticipating the January issue of the Magazine Antiques. Its new editor Betsy Pochoda (formerly of House and Garden) has gradually been making changes since May 2008, but finally in this month's issue we get to see its much-talked about redesign.

Another seismic shift in the magazine has been Pochoda's inclusion of mid-century design, which, frankly, is about time. When Leigh Keno, American furniture dealer and Antiques Roadshow poster boy, starts slipping in 1950s Italian furniture alongside an 18th Philadelphia School tallboy, you know things are a-changing.

One article in particular will make you want to consider giving the magazine a closer look: "The It Chair" by Shax Reigler. It chronicles the history of what many have dubbed the Frances Elkins Loop Chair through the eyes of design sleuth James Shearron of the architectural firm Bories and Shearron. Bories explains his fascination with the chair: "They appear to be made from one continuous unbroken line and that's very alluring. It also walks that line between modern and traditional design which is something we play with in our own work."

first picture of the Loop Chair in the Dictionary of English Furniture, 1904-1908

The first documented photograph of the chair Shearron unearthed was in the bible of English furniture: Percy MacQuoid and Ralph Edwards's 4 vol. Dictionary of English Furniture first published between 1904-1908 . MacQuoid always mentioned the owners of the furniture he illustrated, and these chairs, dated circa 1770 and made of black japanned (a process of painting meant to simulate lacquer) beechwood, belonged to a Frank Green, Esq. When Shearron contacted the Victoria and Albert Museum looking for more examples, they sent him this photograph of a chair bequeathed to them by the same Frank Green!

18th century English side chair in the collection of the Victoria and Albert Museum, London; the articulation of loops on the back of this chair in which you can see their overlapping as well as how they shape the back is based on the designs of William de la Cour and is the closest precedent for loop-back chairs. However there is no direct design source for the Elkins chair found to date

Pick up the magazine to read more about the chairs' odyssey - which even spent time at Ronald and Nancy Tree's (later Lancaster) Ditchley Park as seen in the 1950 watercolor by Alexandre Sérébriakoff of the writing room (top photo). (Apparently Ronald kept the chairs after their divorce until the sale of his collection by Sotheby's Parke Bernet in 1976.)

But back to Frances Elkins. It is more than likely that either Elkins or her architect brother David Adler owned a copy of the Dictionary of English Furniture from which she had the chairs copied. Given that Elkins often interpreted historical styles in a modern way, it is no surprise she fell spellbound for these chairs and copied for two commissions: the screened-in porch of Evelyn Marshall Field and the living room of Mr. and Mrs. Leslie Wheeler.

Mr. and Mrs. Wheeler's living room in Lake Forest, Illinois in a photograph by Ezra Stoller, circa 1934

It is fitting that Elkins installed them in an outdoor-type space. As Sotheby's expert Peter Lang notes in the article, "They seem to be designed in same spirit as whimsical summer house furniture of the period - fancifully painted pieces in exotic styles of pieces carved to look as though they are made of tree branches."

A pair of George III painted armchairs, circa 1800, from the archives of Hyde Park Antiques, were light enough that they could be carried inside and out

Shearron came across this mid-century cast-iron pair (which most certainly were painted white) intended for the outdoors, and furthermore remembers seeing the loop chair in terrace settings in Hollywood films of the 30's.

Whether indoors or out, they are still tremendously appealing and in demand. Bories and Shearron are investigating having faithful reproductions made, unlike the later examples which tend to be more clunky.

A loop chair in the country house living room of Albert Hadley

Another feature Bories and Shearron will be certain to include is the dipped seat, which Elkins also replicated in her versions (which is a good tip to look for if something is represented with an Elkins provenance). "The opportunityto see this delicate calligraphic-like object married with our architecture would be very cool. We love them in black like the originals, or even a dark mahogany. A full set around a dining table or a few in a hallway - they really can go anywhere." And that's a recipe for a classic, if I ever heard one.

UPDATE: This April, Sotheby's New York will be offering the Elkins Loop Chairs designed for the Leslie Wheelers. This is a rare opportunity to own documented Elkins chairs - how much will they go for?

UPDATE II: http://www.themagazineantiques.com

Lola Montez: From Courtesan to Curtains

Courtesy of the Performing Arts Museum Victorian Arts Centre

Madeleine Castaing was famous for quoting exorbitant prices for items in her shop, either because she wasn't really interested in selling the piece or perhaps because she didn't want to sell it to you. What she did sell meter after meter of was her line of fabrics, manufactured by Hamot and currently still in production from Edmond Petit. (Clarence House are the stockists in the US.)

Courtesy of Edmond Petit

"Lola Montez" is hands-down my favorite. Castaing was very creative with her upholstery and often used this as a border around the skirt of a chair or an edge of a curtain.

Courtesy of Sotheby's

But who is or was Lola Montez?


Born Eliza Rosanna Gilbert (1821-1861) in County Sligo, Ireland, Lola was a wild child sent from school to school until she eloped with a young officer at the age of sixteen. Alas, it was a disastrous match and Lola soon fled Calcutta(!) and reinvented herself as a Spanish dancer, debuting in London in 1843. Scandal followed Lola around Europe as she added various great men to her list of conquests, including Franz Liszt and Ludwig I, the king of Bavaria, who made her the Countess of Landsfeld.


Like many independent women of this time who lived life on their own terms, Lola died young and penniless. The highs were high and the lows low. This is an extremely condensed version of her life and it's worth reading more. OR seeing the movie which perhaps Mme Castaing also saw.

In 1955, Martine Carol played Lola Montès in the film directed by Max Ophüls. Although it is also possible that Castaing merely read the book La Vie Extraordinaire de Lola Montès by Cécil Saint Laurent on which the film was based, I like to think she did see the film. It portrays Lola at the end of her career, making ends meet by performing in a circus in which she recounts her past exploits. Peter Ustinov plays the ringmaster who refers to her as no less than a creature, a wild beast.

There is a surreal element to the circus scenes and their commentary on celebrity that would certainly have intrigued MC, who counted Cocteau among others as a close friend.

Design Friends: From Virtual to Actual

This Saturday I was paid a most delightful visit by my two favorite Patricias from the blogging world -


From left to right: Mrs. Blandings, PVE and EEE in miniature dealer Elle Shushan's booth at the Winter Antiques Show - wallpaper by Brunschwig et Fils and booth design by Ralph Harvard - he also designed Sumpter Priddy's stand which you should also take a look at if you go through the show.

It seems these days everyone has a blog and I feared many would groan and roll their eyes when I started mine just a month ago, but what I found was the most warm, welcoming (and informed!) community.

One of my favorite blogs is Mrs. Blandings - I love her old school sensibility and, most of all, her warmth and graciousness that come right through the screen. (Click here for the best blog post in the entire world.) Another thing I adore about her blog is her header and it took me no time to track down its divinely talented creator PVE Design.

PVE also did the header for Ronda Carman's outstanding blog

I think what most captivates me about PVE's work is that her pen and brush capture a world that is dashing and dapper - a world out of a P.G. Wodehouse novel or a Noel Coward play - and most certainly a version of the world I would most like to live in.


Because imitation is the sincerest form of flattery, Ms. PVE has been working up a blog header for me which I hope to unvail very shortly....

All about Yves

When Christie's announced the sale of the collection of Yves Saint Laurent and Pierre Bergé, I knew immediately that the sale catalogue was an essential addition to my library. Tiding me over while collecting my pennies for the $290 boxed set is the latest issue of Christie's magazine which is dedicated entirely to the sale. It includes such fascinating essays as "Marie-Laure de Noailles, Inspiration and Muse of the Collection" and "Yves Saint Laurent, Hunter of Spells" as well as copious images of objects in the sale in situ.

The entrance hall of YSL's Paris apartment was centered on this spectacular Roman marble torso of an athlete, circa 1st-2nd century AD, Estimate €300,000-500,000

The sitting room of the Paris apartment featuring a pair of benches, circa 1928, by Gustave Miklos for famed couturier Jacques Doucet. Estimate €2,000,000 - 3,000,000

The Dragons armchair by Eileen Gray here chez YSL Estimate €2,000,000 - 3,000,000

and here in the iconic Mme Mathieu-Lévy apartment decorated by Paul Ruaud (photo published in L'Illustration in 1933)

Isn't this the most marvelous bar? It is one of two wildly inventive and staggeringly beautiful commissions YSL and PB made from Francois-Xavier and Claude Lalanne. The "YSL" bar was completed in 1965 made of maillechort, steel and glass. The hammered brass egg is fitted with a counterweight system that causes the top to open and show the bottles stored within and the smaller glass sphere inset into the top is a container for ice.

The other major Lalanne commission was....

a set of fifteen mirrors with gilt bronze and galvanized copper surrounds which paneled the salon de musique, created between 1974-85.

Maybe it's because I live in New York City where space is at a premium, but YSL and PB's Kunstkammer seemed to me to be one of the most luxurious spaces of all. This gallery-like room follows the tradition of 16th and 17th century princes who dedicated a room to their most treasured virtuoso works of art. Here, cameos, rock crystal and ivory objets pay tribute to the discerning eye of one of the most important design talents of the 20th century.

Photos 2,3,4, 6, 7, 8 © Christie's