Mirror, Chrome and Gin Fizz: EEE March 3 NYC Lecture

The mirrored entrance of the Strand Palace Hotel - doesn't it make you want to tap dance?

This Wednesday I am thrilled and honored to lecture for the Royal Oak Foundation, the American branch of Britain's National Trust. I personally couldn't think of a better cure for the winter doldrums than to revel in all things British Deco.

The sumptuous dining room of Eltham Palace

The American Bar, 1931

and of course the American Bar at the Savoy where you might order a White Lady, invented by the celebrated bartender Harry Craddock who "wrote" the first edition of the Savoy Cocktail Book in 1930.

Obviously not Harry, but who cares as he's ready for action

Harry's original White Lady recipe:

• 1/2 Dry Gin.
• 1/4 Cointreau
• 1/4 Lemon juice.

Shake well and strain into cocktail glass.

THE NITTY GRITTY:
Wednesday, March 3, 6pm
Grolier Club
47 East 60th Street
$30 member/co-sponsor members
$40 general public
RSVP ONLINE: lectures@royal-oak.org or call Robert Dennis, Program Assistant, at 212-480-2889, ext. 201.

Cuff Love*

Poet and Wild Child Nancy Cunard captured here by Cecil Beaton

If, as Accessorator Judi Roaman says, it's not the first $1000 that make a room, it's the last $100, perhaps the same follows for what one wears. The sartorial style of the ladies pictured here have all made my heart beat faster....

Iris having a Western moment - perhaps it's all those layers which keep her so lithe?

...but it wasn't until my trip to see the Iris Apfel exhibition at PEM that it struck me what they all had in common - one and all had embraced a More is More philosophy - to life AND to their bangles.

Learning to stack: my bejeweled Iris bangle on top with a studded Alexis Bittar one below

On a trip to Santa Fe a few years ago, I became smitten with Standard Oil heiress Millicent Rogers ...

who became so enamored with silver and turquoise old pawn, she learned how to make her own.

Old Pawn - not old paw, Gus!

I won't be taking metalsmithing classes any time soon - but I did pick up this cuff in homage.

Chanel and her Verdura cuffs photographed by Man Ray

Verdura may be out of reach for awhile, but Kenneth Jay Lane works in a pinch....

But the more I think about it, my penchant for a well-shielded wrist perhaps stretches as far back to this fearless lady....

I'll take cuffs over an invisible plane any day!

* Yes, "Cuff Love" is indeed in tribute to Real OC Housewife Lynne Curtin's line - click here to get matching his and hers

Gardner-Pingree House Visit

The glazing bars of the entrance to the house were recently regilt

Last weekend, trailing in the Down East Dilettante's footsteps, my friend Nan and I hopped on the train up to Salem, Massachusetts to see the Iris Apfel exhibition at the Peabody Essex Museum. Full disclosure: I was enticed as much by the exhibition - which was fantastic - as the knowledge that selections from Iris' own collection of jewelry were on sale in the gift shop.

Nan posing next to the ice sculpture of a tiger wearing Iris' signature oversized round spectacles

After being inspired by Mrs. Apfel's infectious exuberance (and one of her dramatic bangles to call my own) , we crossed the street to tour the Gardner-Pingree House, an 1804 neoclassical gem designed by Salem's golden boy Samuel McIntire.

The entrance hall floor was covered in a practical floorcloth painted in jazzy emerald and black octagons

The riot of pattern and brilliant colors found inside snapped me to attention and reminded me that some of the most adventurous and dynamic decorating happened hundreds of years ago.

Goldenrod walls, oyster trim, and a carpet of moss green, purples and magentas in the rear parlor easily make one forget the grey skies outside.

McIntire was known as much for his exquisite carving as for his architecture - the three-dimensional treatment of the basket of flowers, with its bottom fully realized, is classic McIntire

You might think the pattern of this wallpaper in the dining room was enough to add drama, but more is more...
when paired with this wall to wall floor cloth.

Clearly, this wasn't a family who was interested in white walls. Even the kitchen is a standout in its rosy hue.

The upstairs master bedroom - the docent who suggested that the carpeting downstairs might have been a little OTT...

found this carpeting restful. As an aside: a friend of mine rightfully once said that - in general - the most interesting and high style historic houses that have survived were generally owned by Donald Trump nouveau riche types who wanted to make a splash. That said, I don't think the McMansions of today will be oohed and aahed over in 100 years - or will they?

The small-scale repeat found in this blue bedroom inevitably made me think of Laura Ashley

In the study, this wallpaper cleverly incorporated marbling from the endpapers of a book in the house's collection:


Would you believe me if I said that the house has even more jaw-dropping delights for the eye? You'll have to see for yourself.

NYC Lecture: Living Laura Ashley

An early '80s Laura Ashley design

I thought of Home Before Dark's remark on the memories and connection to generations past imbued in her treasured handed-down sets of china when I came across a picture of "Priory" in Martin Wood's compelling tome on English lifestyle icon Laura Ashley.

"Priory"

Ashley's Priory sheets saw me through high school, college and - dare I admit it? - beyond. Seeing its distinct scattered blooms was like running into an old favorite friend.

Designer and author Martin Wood, who is cornering the market on English country house style with his other monographs on Nancy Lancaster and John Fowler, all published by Frances Lincoln, reveals that Priory was based on a document fabric found at Chatsworth.

swatches from Chatsworth

Apparently, Mrs. Ashley showed up for her appointment at the Duke of Devonshire's palatial manse, donned a smock, and got down to business rummaging through cupboards and piles of old chintz covers. No grand lady here.

Many of Ashley's prints were inspired by archival sources,

like this sprig from a soup tureen.

In fact, the firm of Laura Ashley, founded by Laura and her husband Bernard ("Laura Ashley" deemed by Bernard as more euphonious than "Bernard Ashley") started as a print manufacturer. As both maker and retailer of its stuffs, it prided itself on its low prices as a result of being able to sell direct to customers without a middleman.

Well, if you were living on my side of the pond in the 1980s, bargain prices aren't what immediately spring to mind when you think of Laura Ashley. And you would be right. Wood writes that the Ashleys found greater success in the U.S. by presenting their wares in a more upscale and aspirational way to the American market. Interesting, no?

The Laura Ashley Look: in full flower and ruffle

Laura and Sir Bernard's own Yellow Drawing Room in Brussels

This Wednesday, February 10, Mr. Wood will lecture on "Patterning Nostalgia: The Designs of Laura and Sir Bernard Ashley" in NYC at Scandinavia House, presented by the Royal Oak Foundation. I for one (along with my friend Beth who even worked at the Laura Ashley store in Kansas City while a design student) will be front row for what will most certainly be an insightful AND entertaining lecture on late 20th century traditional taste.

Click here for the details or call 212.480.2889. Mention this post and receive $5 off.

Profiles in Porcelain

Little Augury: Marie Antoinette by Raynaud

Many thanks to all of you Chinaholics who came out of the butler's pantry and shared your own tales of tabletops.

Mrs. Blandings: Herend Golden Edge

Almost all of you advised me to MIX! My dear friend Richard who is famous in our set for his five course dinners with all the proper crystal and sterling accouterments, put it very convincingly:

Curator KDM: Mottahedeh Duke of Gloucester

Aesthete's 19th century limoges in action

" As you know, I love to use my porcelain. For dinner parties but also for those grand solitaire dinners. Chinese take away on old Meissen is the only way to go! I have several single tea cups and saucers and dishes which I only use for Sundays in bed with the Times and tea/coffee.

Style Court is drawn to Herend Chinese Bouquet in Rust while Julieta adores hers in Green

Marnie loves her grandmother's Noritake Beverly, but, like Mr. Worthington, isn't a big fan of Imari

"So go ahead,if you love a pattern, buy yourself a breakfast cup or chocolate cup and side plate for those afternoons on the sofa or mornings in bed (or afternoons in the garden). Personally, I'd buy one cup/saucer/plate in Roseraie for tea in the garden and Darley for afternoons on the sofa. Nobody says you can't have a harlequin tea set.

Home Before Dark: Chateaubriand by Bernardaud

"Another thing I'd like to point out is we can mix and match our china. I don't know if you caught it but at one of my past dinners, I used three different patterns (Royal Worcestor for the appetizer and entree, Bernardaud for the cheese course, Herend for dessert and coffee) Because of that, people noticed the china, rather than being overwhelmed by Herend butterflies or Bernadaud shepards. One word: Mix! "

Meg from Pigtown-Design likes Royal Copenhagen Half Lace in white

while Patricia of PVE Design prefers it in white and blue...

That evening I ran into another china fanatic who caused another tableware epiphany. Jennie, who could easily have us all over for luncheon with her stash of dishes, urgently advised me not to buy a matching coffee or teapot. Buy a silver one - it goes with everything! Sage advice indeed.

Jennie's Enoch Wood and Son's Verona

Janet's grandfather's Wedgwood Edme

In fact, quite a few of you urged me to think about not just mixing up patterns, but materials - don't buy all the serving pieces in the dinner plate pattern -the luster of silver and the glitter of crystal add dimension and drama. After all, who said dinner theater couldn't be right at your own table?

Hermes' Africa adds spice to Marja's dessert

Two of my favorite ladies were preaching to the choir when they urged me to think secondhand: as you know from my ebay exploits, I hardly buy anything firsthand. Deb recommended connecting to the auction houses while Maureen turned me onto to replacements.com because with porcelain, as in life, you can't wait for others to bring to your table what you can put there yourself.